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December 2nd, 2002, 06:52 PM
#1
Inactive Member
Here are some links to the same SUPER 8 movies online in varying formats (windows media, quicktime, other endcodings of REAL player)
ALL ARE AVAILABLE TO VIEW at www.triggerstreet.com as well as a ton of other Super 8 movies by other filmmakers.
This is Kevin Spacey's company and their attempt to let undiscovered talent be found. Worth it just for the exposure to the world.
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ZOE THE SUPER 8 DOG
http://www.singlereel.com/directory/clip-19695.html
http://www.thecfc.org/movies/PSA33B.mov
* shot entirely with Kodachrome 40, and transferred with a Rank Cintel at
www.thetransferstation.com by their colourist DOUG. Excellent guy.
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SIMULACRUM
http://www.thecfc.org/movies/PSA42.mov
http://www.8mm.filmshooting.com/comm...shortfilms.php (on
this site here)
http://www.pepper-view.com/en/filmInfo.php?FilmID=1029
http://www.movieflix.com/movie_info.mfx?movie_id=2346
http://www.story.com/cfc.htm
http://studiocities.net/en/filmInfo.php?FilmID=1029
http://www.undergroundfilm.com/films...cl?wid=1009196
Shot with PLUS -X and TRI-X black & white Super 8 film, and transferred with
a Rank Cintel at www.thetransferstation.com by their colourist DOUG.
Excellent guy.
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Also, here are some other Super 8 shorts online
These are all KODACHRoME 40 -> shot with the NIKON R10 and telecine'd with
THE TRANSFERSTATION (excellent tech there named DOUG).
movie job descriptions
http://www.thecfc.org/movies/PSA34.mov
http://www.thecfc.org/movies/PSA35.mov
http://www.thecfc.org/movies/PSA36.mov
http://www.thecfc.org/movies/PSA37.mov
http://www.thecfc.org/movies/PSA38.mov
http://www.thecfc.org/movies/PSA39.mov
Each on is in QUICKTIME 4 - and are 30 seconds long each. * shot entirely
with Kodachrome 40, and transferred with a Rank Cintel at
www.thetransferstation.com by their colourist DOUG. Excellent techie guy
with tons of handy tools.
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THE RETURN OF THE CURSE OF THE SUBURBAN NIGHTMARE !
www.triggerstreet.com
* shot entirely with Kodak Ektachrome 125 film and transferred with a RANK CINTEL at Pro8mm. Not the best transfer, but then again I didn't use their stock. They aren't too good with reversal stock, and I would never use them for developing Kodak Reversal stocks again. I have used Pro8mm with their
own stuff and gotten WORLD'S BETTER results.
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December 2nd, 2002, 09:24 PM
#2
tfunch24
Guest
I only had time to watch one of your movies and that was Return of the Curse of the Suburban Nightmare. Pretty good film. If you don't mind my asking, what kind of lighting setup did you use to light the interior of the minivan?
Looking forward to seeing more of your films.
Tom
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December 2nd, 2002, 11:04 PM
#3
Inactive Member
Hi,
I liked what I saw (..nightmare), it was really film and carefully done and with filmic insight I think. For image quality I liked the quicktime better with that dog. Looked great and was funny.
Being not a professional myself, I still have some critical points which came to my mind when watching the film. The first thing which came to my mind was the sound of the car; it was the same sound pattern repeating all the time, which I found a bit disturbing after a while. Towards the end I found the sequences of images repeating to much as well..father, daughter, small children front of the car from the outside, etc ..it became too much of a repeating pattern as well. I was thinking that maybe at a certain point they should have tanked at a gas station or so, or maybe they should have stopped at a certain point in the argument and stepped outside or something, just to get more visual diversity, and to avoid the repeating too much. I think it wouldn't have been a problem for you to have done something like that, and it would have been more of a challenge to you as well.
Well, that's what I thought when watching the film. Hope you will appreciate the feedback. It was meant to be constructive.
Paul
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December 12th, 2002, 12:12 AM
#4
Inactive Member
Thanks for watching the movie stuff.
The RETURN OF THE CURSE OF THE SUBRUBAN NIGHTMARE was done with EKTACHROME 125 stock for all the interiors. We used NO LIGHTING WHATSEOVER (and should have used reflectors on actors faces to get better definition & taken the Nikon R10's auto exposure OFF ).
As for the ZOE SUPER 8 DOG, that was KODACHROME 40 on the same Nikon R10.
I have 7 more SUper 8 movies in the pipeline now for uploading soon to multiple movie sites.
I am working with SECOND CITY THEATER CLEVELAND on a few short movies.
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